b.1978 / based in Montreal (Canada)


“The works of Alexandre Larose amount to a contemporary cinema of attractions. They are a continuous attempt at describing (and making palpable) the overlapping meshes of film, memory, and the way we experience dreams and space. (...) The somnambulistic, psychedelic impression given by many of his films springs from the specific double character of cinema: as a machine of fiction and imagination as well as a literal machine, a product of the art of engineering. The latter allows for highly individual technical interventions such as, for example, the construction of a camera rocket or the development of color processing, which turn the world into an amorphous film grain gelatin. Entirely without CGI effects and working close to the properties of the analog medium, Larose creates impossible images that nevertheless have their source in reality.”
-Alejandro Bachmann, Austrian Film Museum



EDUCATION


2013 MFA, Studio Arts - Film Production, Concordia University

2006 BFA, Mel Hoppenheim School of Cinema, Concordia University

2001 BEng, Mechanical Engineering, Université de Sherbrooke


EXHIBITIONS

2018 Internationales KurzFilm Hamburg (Germany) : Saint Bathans Repetitions, group exhibition

2017/2018 George Eastman Museum (Rochester, USA) : brouillard #14, solo exhibition, curated by Jurij Meden for the Dryden Theatre

2017 Audio Foundation (Auckland, New Zealand) : PULSE/REPEAT (Saint Bathans Repetitions), group exhibition, curated by Mark Williams

2017 17th WRO Biennale (Wroclaw, Poland) : brouillard #19, group exhibition, curated by Piotr Krajewski

2017 Paraloeil (Rimouski, Canada) : brouillard, solo exhibition

2016-2017 Anchorage Museum (Alaska, USA) : Cabin Fever (brouillard #14), group exhibition, curated by Michael Walsh

2016 The Young Gallery (Wellington, New Zealand) : Saint Bathans Repetitions, solo exhibition, curated by Mark Williams

2016 La Bande Vidéo (Québec City) : brouillard #18 and scènes de ménage (études), solo exhibition, curated by Sébastien Hudon

2016 Museum Angewandte Kunst (Frankfurt, Germany) : brouillard #14, group exhibition, curated by Grit Gerber

2015 Cinémathèque québécoise (Montréal, Canada) : brouillard, solo exhibition, curated by Guillaume Lafleur

2015 Audio Foundation (Auckland, New Zealand) : Sackville Marshwalk, group exhibition, curated by Mark Williams

2014-2015 John Michael Kohler Art Center (Sheboygan USA) : This Must Be The Place (brouillard #14), group exhibition, curated by Karen Patterson

2014 ArtSpace Sydney (Australia) : Situated Cinema - 2nd iteration, solo exhibition, in collaboration with Solomon Nagler, curated by Sam Zammit

2012 Eastern Bloc (Montréal) : Data Salon II (aller/retour), group exhibition, curated by William Lockett

2012 École des Beaux Arts de Montréal : Sortie (aller/retour), Concordia University MFA Studio Arts exhibition, curated by Sabrina Russo


WORK SURVEYS

2018 Festival International du Film sur l’Art, Montréal, Canada

2017 Govett-Brewster Art Gallery - Len Lye Center, New Zealand

2017 Austrian Film Museum, Vienna

2016 Halifax Independent Filmmakers Festival, Canada


SCREENINGS

Saint Bathans Repetitions (2016)

festival selection : Mostra de Cinema Periférico (Spain, 2018), IMAGES (Toronto, Canada, 2018), International Film Festival Rotterdam (Holland, 2018), New York International Film Festival (United States, 2017), MediaCity (Windsor, Canada, 2017)

curated : Latinoamericano Cine Del Nuevo International Festival, curated by Dominic Angerame (Havana, Cuba, 2018), CROSSROADS at the San Francisco Museum of Modern Art, curated by Steve Polta (USA, 2018), FIMAV, curated by Karl Lemieux (Canada, 2018)

brouillard (series, 2009-2015)

festival selection : Arica Nativa Film Festival (Chile, 2018), Jihlava International Film Festival (Czech Republic, 2017), Queensland Film Festival (Australia, 2017), Peripheral Film Festival (A Coruna, Spain, 2016), San Francisco International Film Festival (USA, 2016), Winnipeg Festival of Moving Image Art (Canada, 2015), Festival Internacional de Curtas de Bela Horizonte (Brazil, 2015), Underdox Munich (Germany, 2015), Festival des Cinémas Différents de Paris (France, 2015), New York International Film Festival (USA, 2015), EX-IS (Seoul, South Korea, 2015), Hamburg International Short Film Festival (Germany, 2015), Curtas Vila do Conde (Portugal, 2015), VideoEx Zürich (Switzerland, 2015), Ann Arbor Film Festival (USA, 2015), Hong Kong International Film Festival (China, 2015), Rendez-Vous du Cinéma Québécois (Montréal, 2015), International Film Festival Rotterdam (Netherlands, 2015), Festival du Nouveau Cinéma (Montréal, 2014), 25FPS (Zagreb, Croatia, 2014), Toronto International Film Festival (Canada, 2014), MediaCity (Windsor, Canada, 2014)

curated : Association Cent Soleils (France, 2019), The Ark Center for the Arts (USA, 2019), Harvard University, department of visual and environmental studies (USA, 2019), Metrograph New York (USA, 2019), Université de Montréal, film studies (Canada, 2019), Michigan State University, Dome projection, curated by Kelly Egan (USA, 2018), Back to the Future Project, curated by Worm Rotterdam (Netherlands, 2017), University of Iowa City (United States, 2017), The Camera as a brush, the film as a canvas, curated by the Centre de Cultura Contemporània de Barcelona (Spain, 2017), Canadian Short Films Screening, Cape Breton Art at Night Festival, curated by Nelson MacDonald (Canada, 2017), Association Coxa-Plana, curated by LightCone (Chars, France, 2017), IMAGE Forum tour, curated by Koyo Yamashita (Japan, 2017), Austrian Film Museum, curated by Alejandro Bachmann (Vienna, 2017), Sleeping Giant Film Festival, curated by Tim Massett (United States, 2017), Binghamton University, CINE 122 - Expression and Innovation in Film &  Video, curated by Daïchi Saïto (New York, 2017), VUCAVU, Filmmaker Passages, curated by Kaz Radwanski (Toronto 2017), 35e Festival International du Film sur l’Art, curated by Nicole Gingras (Montréal, 2017), FIMAV, curated by Karl Lemieux (Victoriaville, 2017), Thyssen-Bornemisza Art Contemporary, The Current Covening #2, curated by Stefanie Hessler, Kochi (India, 2016), Centro Cultural Casa de Matienza, Contemporary Canadian Media Art, curated by Colectivo Toronto (Buenos Aires, 2016), The School of Arts Ghent (Belgium, 2016), Art on the Screens, curated by the CFMDC (Mississauga, 2016), Bains Argentiques, curated by Erwin van’t’Hart (France, 2016), Peti Peti, Rennes (France, 2016), Lucciche Video Art symposium, curated by Marco Ferrari (Italy, 2016), Halifax Independent Film Festival, curated by the AFCOOP (Canada, 2016), Exquisits, recents i essencials, curated by the Centre de Cultura Contemporània de Barcelona (Spain, 2016), Association l’Oumigmag, Bordeaux (France, 2016), Fundacja Edukacji Kulturalnej Ad Arte, Poznan (Poland, 2016), Dhaka Art Summit, curated by Shanay Jhaveri (Bengladesh, 2016),  Leuven KortFilmFestival, curated by LightCone (Belgium, 2015), Festival International de Winterthur, 99 years of DaDa (Suisse, 2015), Dazibao Gallery, Connections, curated by David K. Ross (Montréal, 2015), Comptoir du Doc de Nantes, Les Nouveaux Explorateurs, curated by Éric Thouvenel (France, 2015), Underground Mines : Hues of the Spectrum Rise from View, curated by Oosna Mosna (South American Tour : Frontiera Festival (Brazil, 2015), 12th Bienal de Artes Mediales (Chile, 2015), Mamba (Argentina, 2015)), Oberhausen Film Festival, The Third Image, curated by Björn Speidel (Germany, 2015), 33e Festival International du Film sur l’Art, curated by Nicole Gingras (Montréal, 2015), London Media Arts Association, Altering Perceptions, curated by Sebastian di Trolio (Canada, 2015), Museum of the Moving Image, curated by Aliza Ma (New York, USA, 2015), Cinémathèque Québécoise, Nature/Culture, curated by Guillaume Lafleur (2014), Balagan Films, Outré Montréal, curated by Daïchi Saïto (Boston, USA, 2014), Festival en Arts Visuels de l’Atlantique, Lumen 4321, curated by André Habib (Caraquet, Canada, 2010), San Francisco Cinematheque, Cinema/Heaviness, curated by Pierre-Luc Vaillancourt (USA, 2010), One-Take Super8 Event, curated by Alex Rogalski (Montréal, 2009)

Rue de la Montagne (2012) 

(this work was originally commissioned by the Winnipeg Moving Image Art Festival in 2012 and exhibited as a loop in the Situated Cinema - 1st iteration)

curated : Underdox Munich, Québec Experimental, curated by Dunja Balas (Germany, 2016), Dazibao Gallery, Connections, curated by David K. Ross (Montreal, 2015)

La Grande Dame (2011)

festival selection : Festival des Cinémas Différents de Paris (France, 2012), Jihlava International Documentary Film Festival (Czech Republic, 2012), MediaCity (Canada, 2012), IMAGES (Toronto, Canada, 2012)

curated : Tunnel Vision, curated by the CFMDC (Toronto, 2017), Austrian Film Museum, curated by Alejandro Bachmann (Vienna, 2017), FIMAV, curated by Karl Lemieux (Canada, 2017), Underdox Munich, Québec Experimental, curated by Dunja Balas (Germany, 2016), Halifax Independent Film Festival, curated by the AFCOOP (Canada, 2016), Festival des Cinémas Différents de Paris, Nothing But The Truth, curated by Pleasure Dome (Paris, 2015), Arquiteturas Film Festival de Lisboa, Liquid Times Fluid Architecture, curated by Andrea Franco (Lisbon, 2015), Society for Cinema and Media Studies, Habitat, curated by Brett Kashmere (Montréal, 2015), LightCone, Scratch Expanded, curated by Emmanuel Lefrant (Paris, France, 2014), Museo de Arte Contemporaneo de Castilla y Leon, curated by Frédéric Tachou (Leon, Espagne, 2014), Université de Montréal, département des études cinématographiques, curated by André Habib (Canada, 2013), IMAGES 25th Anniversary Tour : New York Anthology Film Archive, Cinémathèque Québécoise, Winnipeg Cinematheque and Pacific Cinematheque, curated by Kate McKay and Scott Miller Berry (2012), Art Gallery Ontario, LIFT 30th Anniversary, curated by Ben Donoghue (Canada, 2012)

Ville Marie (2009)

festival selection : Syros International Film Festival (Greece, 2016), Nova Cinéma (Brussels, Belgium, 2012), EX-IS (Seoul, South Korea, 2011), European Media Art Festival (Osnabrück, Germany, 2011), 58th Int’l short and documentary Film Festival (Belgrade, Serbia, 2011), Rendez-Vous du Cinéma Québécois (Montréal, 2011), International Film Festival Rotterdam (Netherlands, 2011), Festival des Cinémas Différents de Paris (France, 2010), Festival du Nouveau Cinéma (Montréal, 2010), Festival of Moving Image Art (Winnipeg, Canada, 2010)

curated : Association Clair Obscur, Villes expérimentales, curated by Éric Thouvenel (France, 2019), FIMAV, curated by Karl Lemieux (Canada, 2017), Jihlava International Documentary Festival, Fascinations : Aerial Photography retrospective (Czech Republic, 2016), 33e Festival International du Film sur l’Art, curated by Nicole Gingras (Montréal, 2015), London Media Arts Association, Altering Perceptions, curated by Sebastian di Trolio (Canada, 2015), Cinémathèque Québécoise, pour Main Film, curated by Guillaume Lafleur (Canada, 2015), Cinéthèque Le Fresnoy, du Fatras comme Brûlure, curated by Victor Grésard (Tourcoing, France, 2015), Museum of the Moving Image, curated by Aliza Ma (New York, 2015), Canadian Filmmakers Distribution Center, curated by Candice Napoleone (Toronto, Canada, 2014), Marché des Possibles, Optique Main Film, curated by Caroline Blais (Montréal, 2014), Collectif Jeune Cinéma : Sur les Toits (Paris, France, 2014), Brattle Theatre, Constructive Interference, curated by Balagan Films (Cambridge, USA, 2014), ICPCE, du Vertige et des Ruines, curated by Pierre-Luc Vaillancourt : (2012 tour) : Foundation for Contemporary Art (Kiev, Ukraine), Dom Kulture Studentski Grad (Belgrade, Serbia), La Mora, Gallery of Contemporary Art, Belarus Filmschool, Belarusian State University, The National Art Museum, Gomel Regional Library, Kalyannaja, Vitebsk Center for Contemporary Art (Bielorussia), Skalvijos Kino Centras (Vilnius, Lituania), Wro Art Center (Wroclaw, Poland), Slovenska Kinoteka / Museum of Transitory Art (Ljubljana, Slovenia), AVI Festival of Alternative Films & Video (Podgorica, Montenegro), Collectif Jeune Cinéma : Séance Spectrale (Paris, France, 2012), Fringe Festival, curated by Phil Hoffman (Hanover, Canada, 2011), Centre George Pompidou, Le Vol des Photogrammes, curated by Collectif Jeune Cinéma (Paris, France, 2011), Winnipeg Cinematheque, Scenes from the Floating World, curated by Chris Gehmann (Canada, 2011), Pleasure Dome, Entropicana, curated by Eli Horwatt (Toronto, Canada, 2011), All Tomorrow’s Parties Festival, curated by Daïchi Saïto (London, Angleterre, 2010), Struts Gallery, Blissful Discretions, curated by Solomon Nagler (Sackville, Canada, 2010)

Artifices #1 (2007)

festival selection : European Media Art Festival (Osnabrück, Germany, 2009), $100 Film Festival (Calgary, Canada, 2009), TIE Pikes Peak Edition (Colorado Springs, USA, 2008), Chicago Underground Film Festival (USA, 2008)

curated : Michigan State University - Dome projection, curated by Kelly Egan (USA, 2018), 100$ Film Festival, super8mm 50th Anniversary screening, curated by the Calgary Society of Independent Filmmaking (Canada, 2017), FIMAV, curated by Karl Lemieux (Canada, 2017), Underdox Munich, Québec Experimental, curated by Dunja Balas (Germany, 2016), Unsafe and Sounds Festival, Vibrance, curated by Johann Lurf (Vienna, 2016), Halifax Independent Film Festival, curated by the AFCOOP (Canada, 2016), Winnipeg Cinematheque, Scenes from the Floating World, curated by Chris Gehmann (Canada, 2011), Université Concordia, FFAR 250 : Visual and Performing Arts in Canada, curated by KJ Guttman, (Montréal, 2011), Cinema Jove, El Color En Cine, curated by Emmanuel Lefrant (Madrid, Espagne, 2010), Austrian Film Museum, Masterpieces of New American Avant-Garde, curated by Christopher May (Vienna, 2009), One-Take Super8 Event, curated by Alex Rogalski (Montréal, 2007)

930 (2006)

festival selection : Vermont International Film Festival (USA, 2012), Chicago Underground Film Festival (USA, 2007), European Media Art Festival (Osnabrück, Germany, 2007), Ann Arbor Film Festival (USA, 2007)

curated : Underdox Munich, Québec Experimental, curated by Dunja Balas (Germany, 2016), Collectif Jeune Cinéma, Concordia : Vivier de cinéastes expérimentaux, curated by Gabrielle Reiner (Paris, France, 2013), Blue Sunshine, déjeuner expérimental, curated by ICPCE (Montréal, 2012), Festival du Nouveau Cinéma, 40e anniversaire, curated by Guylaine Dionne (Montréal, 2011), Festival en Arts Visuels de l’Atlantique, Lumen 4321, curated by André Habib (Caraquet, Canada, 2010), EX-IS, Sequence Control, curated by Scott Miller Berry (Séoul, Corée du Sud, 2009), LIFT, Printed Light, curated by Ben Donoghue (Toronto, 2009), Dresden International Film Festival, Radicaux Libres, curated by Marcel Jean (Allemagne, 2008), Halifax Independent Filmmakers Festival, Contemporary Canadian Film, curated by Solomon Nagler (Canada, 2008), IMAGES Festival, Double Vision, curated by Scott Miller Berry (Montréal et Paris, 2007), Xalapa Animation and Experimental Film Festival, curated by Mike Rollo (Mexique, 2006), Festival of Moving Image Art, Landscape Gestures, curated by Solomon Nagler (Winnipeg, Canada, 2006)

Le Corps Humain (2006)

festival selection : European Media Art Festival (Osnabrück, Germany, 2008), Festival des Cinémas Différents de Paris (France, 2007)

curated : Underdox Munich, Québec Experimental, curated by Dunja Balas (Munich, 2016), Musée d’Art Moderne André Malraux, curated by Christophe Guérin (le Havre, France, 2015), 8-Fest, Where the Street Ends the Sidewalk Begins, curated by Claudie Lévesque (Toronto, 2013), Centre George Pompidou, Matières du Corps, curated by the Collectif Jeune Cinéma (Paris, 2011), Institut National de l’Histoire de l’Art - Sorbonne, Hors les Murs, curated by Gabriela du Truijo (Paris, 2008)


AWARDS

2017 Jury Mention, Saint Bathans Repetitions, Media City Film Festival, Windsor (Canada)

2017 The Critics and Editors of Art Magazines’ Mention, brouillard #19, 17th WRO Biennale, Poland

2015 Mention du Grand Jury, brouillard #15, Festival des Cinémas Différents de Paris, France

2015 International Jury Award for Best Film, brouillard #14, Hamburg International Short Film Festival, Germany

2015 Peter Wilde Award for most technically innovative film, brouillard  #15, Ann Arbor Film Festival, USA

2014 Grand Prix - FNC Lab - experimental shorts, brouillard #15, Festival du Nouveau Cinéma, Montréal, Canada

2014 Grand Prix et Critics’ Award, brouillard #14, 25FPS Festival, Zagreb, Croatia

2011 Fuji Award, Ville Marie - A, EX-IS, Seoul, South Korea

2011 Mention du CALQ, Ville Marie - A, Rendez-Vous du Cinéma Québécois, Montréal, Canada

2010 Mention du Grand Jury, Ville Marie - A, Festival des Cinémas Différents de Paris, France

2010 Best Canadian Work Award, Ville Marie - A, Festival of Moving Image Art, Winnipeg, Canada

2009 Best s8mm Film, Artifices, $100 Festival, Calgary, Canada


GRANTS

2018 Canada Arts Council (CAC) explore & create - Media Arts

2017 CAC research/creation grant - Media Arts

2017 National Film Board of Canada (NFB)’s Aide au Cinéma Indépendant

2015 CAC international residency pilot program

2014 Conseil des Arts & des Lettres du Québec (CALQ) research/creation grant - Media Arts

2014 NFB’s Aide au Cinéma Indépendant

2012/2013 John O’Brien Scholarship, Concordia University

2012/2013 J.W. McConnell Memorial Graduate Fellowship, Concordia University

2012 Fondation de Sève Award, Concordia University

2011/2012 Power Corporation Scholarship, Concordia University

2011/2012 Fond Québécois pour la Recherche en Sciences et Communications, Graduate Fellowship

2010/2011 Concordia University’s Graduate Entrance Fellowship

2010/2011 Canada Social Sciences and Humanities Research Council’s J.- A. Bombardier Graduate Fellowship

2010 NFB’s Aide au Cinéma Indépendant

2010 CALQ research/creation grant - Media Arts

2008 CALQ research/creation grant - Media Arts

2008 NFB’s Aide au Cinéma Indépendant

2007 CAC research/creation grant - Media Arts

2006 NFB’s Aide au Cinéma Indépendant

2006 Mel Hoppenheim Award, Concordia University

2005 Fondation de Sève Award, Concordia University

2004 BF Lorenzetti Scholarship, Concordia University


COMMISSIONS

2018 Windows Film Collective

2017 Ibrida Pluri, Montréal, live performance with musicians Black Givre and ThisQuietArmy

2015 Pleasure Dome, Toronto, Situated Cinema - 3rd iteration, collaboration with Solomon Nagler, architects Thomas Evans et Jonathan Mandeville

2012 Winnipeg Film Group

2011 Liaison of Independent Filmmakers of Toronto (LIFT), 30th Anniversary commission

2011 Collectif Jeune Cinéma (France), Festival des Cinémas Différents de Paris


RESIDENCIES

2019 Hvitahus, Iceland

2016 La Bande Vidéo, Québec (Canada)

2015-2016 CIRCUIT Artist Film & Video Aoteroa New Zealand & Auckland University of Technology

2014 Immersive Environments, Société des Arts Technologiques (SAT), Montréal : advanced workshops on After Effects and dome projection mapping

2014 Auckland University of Technology (New Zealand)

2014 ArtSpace Sydney (Australia), in collaboration with Solomon Nagler

2013 Struts Gallery, New Brunswick, in collaboration with Solomon Nagler

2008-2009 Main Film (Canada), Film Factory program


ARTIST TALKS

2019 Trent University (Canada)

2019 Concordia University, BFA Film Production

2018 Internationales Kurzfilm Festival Hamburg (Germany)

2018 Concordia University, BFA Art History department

2017 Govett-Brewster Art Gallery (New Zealand), curated by Paul Brobbel

2017 Austrian Film Museum, curated by Alejandro Bachmann

2017 Paraloeil, Rimouski (Canada), curated by Valérie Mongrain

2017 Concordia University, BFA Film Production

2017 Concordia University, MFA Film Production

2016 Concordia University, BFA Art History department

2016 Wellington City Gallery (New Zealand), Phantom Topologies symposium, curated by Mark Williams

2016 Université de Montréal, Études Cinématographiques

2015 Concordia University, Cinema department, Faculty of Fine Arts

2015 Cinémathèque Québécoise, Créer/Montrer/Conserver symposium, curated by Guillaume Lafleur

2015 Cinémathèque Québécoise : Conversation avec Alexandre Larose (Journées de la Culture), moderated by Guillaume Lafleur

2015 Elam School of Fine Arts (New Zealand), A Genealogy of Moving Image Practices symposium, curated by Mark Williams

2015 Atlantic Filmmakers Coop, Halifax

2015 Nova Scotia College of Art & Design, Halifax

2014 School of the Art Institute of Chicago, FVNMA department

2014 Daïmôn Production Center (Canada), Collages Mouvants symposium, curated by Guillaume Lafleur

2014 Auckland University of Technology (New Zealand), Faculty of Media Arts

2013 Concordia University, Dance department, Physical Lecture series, curated by Michael Montanaro

2013 McGill University, Time Forms symposium, organized by the Moving Image Research Lab (MIRL) and the Schulich School of Music, curated by Alanna Thain

2012 McGill University, Looking Through Time symposium, organized by the MIRL, curated by William Lockett

2012 TIFF Cinematheque Free Screen Series, Fractured Movements/Constituent Parts program, curated by Chris Kennedy

2011 Calgary Society of Independent Filmmaking, 19th  Calgary 100$ Festival

2010 Festival du Nouveau Cinéma, FNC Lab

2010 Concordia University, Cinema department, Faculty of Fine Arts

2008 Nova Scotia College of Art & Design : artist talk


TEACHING AND ACADEMIC

2018 Concordia University, Cinema department, Faculty of Fine Arts : guest lecturer, FMPR 440 : Sound II

2016 International Visual Literacy Association, Engaging the Senses conference, co-panelist with PhD candidate Jessica Veevers

2016 Atlantic Filmmakers Coop, Halifax (Canada) : visiting lecturer/workshop instructor, Expanded Cinema Summer

2015 Bishops University, Faculty of English : part-time Faculty, ENG 383 : Digital Filmmaking

2015 Nova Scotia College of Art & Design : workshop instructor, optical printing and colour hand-processing

2014 Concordia University, Cinema department, Faculty of Fine Arts : guest lecturer, FMPR 442 : Expanded Cinema

2014 Concordia University, Cinema department, Faculty of Fine Arts : guest lecturer, FMPR 443 : Cinema Compositing

2014 Concordia University, Cinema department, Faculty of Fine Arts : guest lecturer, FMPR 350 : Ways of Seeing

2013 Concordia University, Faculty of Fine Arts : guest artist/tutor, FFAR 250 : Visual & Performing Arts in Canada

2013 Concordia University, Cinema department, Faculty of Fine Arts : instructor, FMPR 339 : Montage I / AVID

2012 Concordia University, Cinema department, Faculty of Fine Arts : guest lecturer, FMPR 442 : Expanded Cinema

2010-2012 Hexagram/Concordia University : Research Assistant for the Hypermedia Schema Lab ; research into interactivity, expanded cinema and new media practices, supervised by professor Jean-Claude Bustros

2011-2012 Concordia University, Cinema department, Faculty of Fine Arts : teaching assistant, FMPR 231: Filmmaking I 

2011 Calgary Society of Independent Filmmaking : featured artist, optical printing master class

2010-2011 Concordia University, Cinema department, Faculty of Fine Arts : teaching assistant, FMPR 432 : Filmmaking III 

2010-… Main Film coop, Montréal : workshop instructor, optical printing, 16mm cinematography and hand-processing

2009 Concordia University, MFA Studio Arts – Film Production : guest lecturer, FMPR 612 : Studio II

2008-2009 Concordia University, Cinema department, Faculty of Fine Arts : teaching assistant, FMPR 231: Filmmaking I

2007 Concordia University, Cinema department, Faculty of Fine Arts : workshop instructor, optical printing and hand-processing, FMPR 332 : Filmmaking II 

2005-2006 Concordia University, Cinema department, Faculty of Fine Arts : research assistant for professor Jean-Claude Bustros ; optical printing and montage


AFFILIATIONS

2018-...  Conseil québécois des Arts Médiatiques (CQAM) - board of administrators

2007-...  Main Film (active member)


PRESS

2018 Hors Champ, Poème pour Larose, by Olivier Godin, https://www.horschamp.qc.ca/spip.php?article758

2018 Film Comment, Projections 2017, by Irina Leimbacher, https://www.filmcomment.com/blog/festivals-projections-2017/

2017 Art Monthly Magazine (issue 410, October), Letter from New Zealand, by Erika Balsom, pp.41-43

2017 Kinoscope, Image/Process: The Films of Alexandre Larose, by Irina Trocan http://kinoscope.org/2017/09/22/imageprocess-the-film-experiments-of-alexandre-larose/

2017 Nisi Masa, VIS Spotlight Feature : Alexandre Larose, by Marija Jeremic, http://nisimazine.nisimasa.com/vis-spotlight-feature-alexandre-larose/

2017 Shotgun Cinema, Recapping Media City, by Travis Bird, http://shotguncinema.org/2017/08/17/recapping-media-city/

2017 DesistFilm, Media City Film Festival 2017 : Alexandre Larose & Cauleen Smith, by José Sarmiento-Hinojosa, http://desistfilm.com/media-city-film-festival-2017- alexandre-larose-cauleen-smith/

2016 Débordements, Alexandre Larose : Matière et Mémoire, by Éric Thouvenel, http://www.debordements.fr/spip.php?article484

2016 Film Matters Magazine, New York Projections program 2, by Connor Newton, http://www.filmmattersmagazine.com/2016/05/21/projections-program-2 reviewed-by-connor-newton/

2016 BlackFlash Magazine, Alexandre Larose : The Lost Steps, by Stephen Broomer, pp.12-27

2016 revue 24images, lieux et plans : Brouillard d’Alexandre Larose, by Guillaume Lafleur, pp.58-59

2015 Unstate Magazine, Passages through Time, by Elvira Calatayud,
pp.65-69

2015 DesistFilm, Q&A : Alexandre Larose, by Tess Takahashi, http://desistfilm.com/q-a-alexandre-larose/

2015 Cinema Scope issue#64, 3D experiments at Oberhausen, by Tess Takahashi, pp.52-55

2015 ArtForum Magazine - September 2015, Parallax Plurality : 3-D cinema beyond the feature film, by Erika Balsom, pp.354-361

2015 MUBI, Cinema’s Zion : The Third Dimension, by Yaron Dahan, https://mubi.com/notebook/posts/cinemas-zion-the-third-dimension

2015 ArtForum, Shorts Circuit - February 3rd, by Erika Balsom, http://artforum.com/film/id=50043

2015 Indiewire, 4 daring filmmakers you should know, by Greg Cwik, http://www.indiewire.com/article/4-daring-filmmakers-you-should- know-20150109

2015 Hors Champ, Le FNC en plan : brouillard - passage #15, by André Habib, http://www.horschamp.qc.ca/spip.php?article574

2015 Keyframe, Best of the Avant-Garde 2014, by Jordan Cronk, https://www.fandor.com/keyframe/best-of-the-avant-garde-2014

2015 Cinema Scope issue#61, Alexandre Larose’s Round Trips, by Samuel La France, pp.35-37

2014 Dictionnaire des films québécois, by Marcel Jean, pp.16/44/73/452

2014 revue 24images, Entretien avec Alexandre Larose, by Charles-André Coderre, pp.32-34

2014 British Film Institute, Eksperimenta, from Zagreb to London, by Michael Pattison, http://www.bfi.org.uk/news-opinion/sight-sound-magazine/comment/ festivals/eksperimenta-experimenta

2014 Filmmaker Magazine, Between the familiar and the strange : TIFF Wavelengths 2014, by James Hansen, http://filmmakermagazine.com/ 87569-between-the- familiar-and-the-strange-tiff-wavelengths-2014/#.VRv8wFyFbFI

2014 MUBI, TIFF 2014 : Correspondences #4, by Daniel Kasman, https://mubi.com/notebook/posts/tiff-2014-correspondences-4

2014 Keyframe, TIFF : Wavelengths shorts 2014, by Jordan Cronk, https://www.fandor.com/keyframe/tiff-wavelengths-shorts-2014

2014 Reverse Shot, TIFF 2014 : Wavelengths, by Nick Pinkerton, http://reverseshot.org/features/1871/wavelengths2014

2014 Studio Beat, TIFF Q&A : Alexandre Larose, by Candice Napoleone, http://www.studio-beat.com/art-news-blog/tiff-2014-alexandre-larose-brouillard- passage/

2014 Real Time Arts, Another kind of cinema, by Mike Leggett, no.120, p.55

2013 Fiches du cinéma, Qui a peur du cinéma expérimental?, by Gaël Reyre, http://www.fichesducinema.com/spip/spip.php?article3957

2012 Concordia University Studio Arts, What will be, will be, by Liz Crompton, https://www.concordia.ca/finearts/studio-arts/student-life/graduate-student- profiles/alexandre-larose.html

2011 $100 Film Festival, Ville Marie - Alexandre Larose, by David McGregor, https://100dollarfilmfest.wordpress.com/2011/02/18/ville-marie-alexandre-larose/


COLLECTIONS / DISTRIBUTION

2017  Austrian Film Museum film collection

2016  Hydro-Québec art collection

2013  Contre-Oeil DVD compilation, Institut Canadien pour la Propagation du Cinéma Expérimental (ICPCE), Montréal

2010  À Rebours DVD compilation,  ICPCE, Montréal

2008-... Collectif Jeune Cinéma (www.cjcinema.org), distribution in France

2008-... LightCone (www.lightcone.org), distribution worldwide

2007-... Canadian Filmmakers Distribution Center (www.cfmdc.org), distribution worldwide