I.
2022
info
shot on s8mm b&w/color reversal
exhibition formats : 35mm release print (silent), 1.37 academy / 2k
duration : 12min58sec
figure : Jacques Larose
funding : Canada Council for the Arts (2018)
residency support : Conseil des arts et des lettres du Québec (Diane Isabelle) & Ville de Paris aux Récollets (Isabelle Mallez)
16mm post-production support : Atelier 105 - LightCone (film scanning) & L’Abominable (hand processing & optical printing)
acknowledgements : Mark Williams & Andy Wright, Emmanuel Lefrant, Eleni Gioti, Clément Verrier, Candice Perrez, Nicolas Rey & Tomaz Burlin
distribution : LightCone
Paris, 2019
info
shot on s8mm b&w/color reversal
exhibition formats : 35mm release print (silent), 1.37 academy / 2k
duration : 12min58sec
figure : Jacques Larose
funding : Canada Council for the Arts (2018)
residency support : Conseil des arts et des lettres du Québec (Diane Isabelle) & Ville de Paris aux Récollets (Isabelle Mallez)
16mm post-production support : Atelier 105 - LightCone (film scanning) & L’Abominable (hand processing & optical printing)
acknowledgements : Mark Williams & Andy Wright, Emmanuel Lefrant, Eleni Gioti, Clément Verrier, Candice Perrez, Nicolas Rey & Tomaz Burlin
distribution : LightCone
Paris, 2019
II.
2022
info
shot on s8mm and 16mm b&w/color reversal
exhibition formats : 35mm release print (silent), 1.37 academy / 2k
duration : 14min56sec
figure : Jacques Larose
funding : Canada Council for the Arts (2018)
film scanning : National Film Board of Canada - ACIC (director: Johanne Bergeron, administrator: Marie-Christine Guité)
acknowledgements : Félix-Antoine Morin, Elva Hreidarsdottir & Halldor Eyjolfsson (hvitahùs), Drifa Skuladottir & JoDee Allen
distribution : LightCone
Hellissandùr, 2019
info
shot on s8mm and 16mm b&w/color reversal
exhibition formats : 35mm release print (silent), 1.37 academy / 2k
duration : 14min56sec
figure : Jacques Larose
funding : Canada Council for the Arts (2018)
film scanning : National Film Board of Canada - ACIC (director: Johanne Bergeron, administrator: Marie-Christine Guité)
acknowledgements : Félix-Antoine Morin, Elva Hreidarsdottir & Halldor Eyjolfsson (hvitahùs), Drifa Skuladottir & JoDee Allen
distribution : LightCone
Hellissandùr, 2019
III.
2022
info
shot on s8mm, 16mm and 35mm b&w/color reversal
exhibition formats : 35mm release print (silent), 1.37 academy / 2k
duration : 12min15sec
figures : Marie Claude Ferland & Jacques Larose
funding : Canada Council for the Arts (2018)
film scanning : National Film Board of Canada - ACIC (director: Johanne Bergeron, administrator: Marie-Christine Guité)
acknowledgements : Motte, Ashley Bellouin & Ben Bracken, Jean-Louis Séguin, JoDee Allen, Mélanie Josic, Heather Reid, Julie Johnston, Louise Bourque, Solomon Nagler, Fred Boucher & Claude Beauchamp
distribution : LightCone
Montréal, 2017-2021
35mm post-production of the series
Récollets residency support : Conseil des arts et des lettres du Québec (Laurent Rozencwajg)
funding : Canada Council for the Arts (2022) & the National Film Board of Canada - ACIC (Marie-Christine Guité)
labs : L’Abominable (blow-up & answer print) & Hiventy (negative processing & release prints)
film scanning : LightCone (Clovis Stocchetti)
negative and positive cutting : Sylvain Marleau (MELS Montréal)
acknowledgements : Nicolas Rey, Stefano Canapa, Emmanuel Falguières, Julia Gouin, Tomaz Burlin & Guillaume Mazloum (from l’Abominable), Emmanuel Lefrant, Jose Saraiva (Hiventy), Jean-Sébastien Chambonnet (MELS Montréal)
Paris, 2022
info
shot on s8mm, 16mm and 35mm b&w/color reversal
exhibition formats : 35mm release print (silent), 1.37 academy / 2k
duration : 12min15sec
figures : Marie Claude Ferland & Jacques Larose
funding : Canada Council for the Arts (2018)
film scanning : National Film Board of Canada - ACIC (director: Johanne Bergeron, administrator: Marie-Christine Guité)
acknowledgements : Motte, Ashley Bellouin & Ben Bracken, Jean-Louis Séguin, JoDee Allen, Mélanie Josic, Heather Reid, Julie Johnston, Louise Bourque, Solomon Nagler, Fred Boucher & Claude Beauchamp
distribution : LightCone
Montréal, 2017-2021
35mm post-production of the series
Récollets residency support : Conseil des arts et des lettres du Québec (Laurent Rozencwajg)
funding : Canada Council for the Arts (2022) & the National Film Board of Canada - ACIC (Marie-Christine Guité)
labs : L’Abominable (blow-up & answer print) & Hiventy (negative processing & release prints)
film scanning : LightCone (Clovis Stocchetti)
negative and positive cutting : Sylvain Marleau (MELS Montréal)
acknowledgements : Nicolas Rey, Stefano Canapa, Emmanuel Falguières, Julia Gouin, Tomaz Burlin & Guillaume Mazloum (from l’Abominable), Emmanuel Lefrant, Jose Saraiva (Hiventy), Jean-Sébastien Chambonnet (MELS Montréal)
Paris, 2022